I’d be interested to see what your other readers think of this. Giving the attributes of a monster, to the cause of the pain. The acting in the film, while over-dramamtic, serves it’s purpose of tone setting. Anna beats Zimmerman in a rage before stealing his gun and shooting him to death. At a certain point in this movie, the coherency of the plot and intelligence of the writing falls off the map. The boy is face down in the water at the end while Mark is in water as if face down but upright at the door Interestingly, Rambaldi has a direct connection to my precious Italian horror hobby.

He stages a distraction, allowing someone, possibly Anna, to sneak away in Mark’s car, but Mark is wounded in the ensuing shootout. So there’s some kind of balance, much like when one hears the idea of one person in a relationship always needing the other one less and is thus “in control” in the relationship. From outside, the sound of sirens, planes, and explosions fill the air. It is hard to say that it is, despite the Lovecraftian monster, as we are not dealing with human insignificance, but the insignificance of the cosmos itself in the face of human madness, thus while a fine horror movie it is in many ways anti-cosmicist, and perhaps a form of cinematic Fauvism. Neill is flat-out astonishing; I have to admit I’d mostly regarded the actor’s wheelhouse as “calm voice of reason or authority” in whatever film he appears. They both go through a series of different emotions related to their situation, Mark’s which is generally obsessive about learning why Anna, who he still loves, wants the divorce, and Anna’s which is generally increasingly histrionic in getting away from Mark.

Over and over, for minutes. I’m not very good at plot synopsis, and I very rarely write reviews, possesdion this film could quite possibly be a distant cousin to David Lynchs ‘Eraserhead’, in that it involves a marriage gone wrong, a perhaps mutant baby, infidelity, and so much more that is felt emotionally rather than explained and read into.


The man, Heinrichfrantically posxession Mark, who finishes him off in a toilet after a brief conversation. I think I might understand the Mark’s doppelganger. It would certainly continue to fit the parallel with the final fatal breakdown between Mark and Anna.

Her face is illuminated by lights from somewhere unknown, Mark-blue is approaching her, and the film rolls its credits.

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From Wikipedia, the free encyclopedia. Helen stares, her brilliant green eyes illuminating. It stars Sam Neill and Isabelle Adjani. Use dmy dates from October Articles needing additional references from March All articles needing additional references Articles to be expanded from September All articles to be zulawki Articles using small message boxes All articles with unsourced statements Articles with unsourced statements from September Articles with unsourced statements from Synkpsis Over the course of the movie, Mark and Anna meet time and again, circling each other, in varying degrees of abnormality.

The Film Connoisseur: Possession ()

Anna returns to the flat she shares with Mark, and continues erratic behavior, such as placing clothing in the refrigerator and food in the bedroom. You must be a registered zuoawski to use the IMDb rating plugin. Mark stops by Anna’s apartment first, and discovers the body parts; the creature, however, is nowhere to be seen. Only there is no exorcism here. Upon his return home, he learns from her that she wants a divorce. In addition the character played by Sam Neil is clearly working in secret for a shady government organisation work that leads to him being away for long periods and thus creating the circumstances by which his wife takes a lover showing the direct impact of cold war politics on a relationship.

And that made things all the better. Retrieved 23 April What is she saying?

To find out more, including how to control cookies, see here: What was at face value was very intriguing and I could have done with more of what they were selling me.


They go all the way crazy and wrong. Symopsis was just thinking about strange films and realised that I hadn’t noted this here. The New York Times. I must say, the entire time I was watching, I was so consumed in Isabelle Adjani’s beauty, like, wow. This crow does, because of its surface content. What is Mark’s job and what did he do while he was away? And a perfect “10” score because is that kind of movie zklawski you cant really understand I’d be interested to see what your other readers think of this.

Mark keeps digging and digging until finally, he comes face to face with the reality of the situation. During a secretive business trip away, Mark learns that his wife Anna is growing restless in what he believed was their happy marriage.

Schlock Corridor: POSSESSION (1981)

The camera places us directly into these battles, in the awkwardly confrontational situation of a third-person in the room who desperately wants to escape the presence of such seething fury. Later, Helen is at the flat babysitting Bob when the doorbell rings.

Legend has it Ms. Special Easy Medium Hard Killer. She starts transforming into a fictional character, a Lovecraftian medium, if one had to put her transformation down into words.

This tale of ppossession husband and wife lost in their own thoughts and desires isn’t initially Horror, but the trauma is, indeed, possessive; a relationship wounded because of covetous pauses and toxic surfaces.

It’s a shame it’s out of print, because I’d want everyone reading this review to go out there and experience it for themselves. Notify me of new comments via email.