She breaks a vase saying that she will never accept it and walks into her room. During the funeral, as the guests are mourning the dead man, two of the daughters, Bahia and Chama played by Noura Skalli and Samya Akeryou, argue in whispers as the first one blamed the second for not painting the windows properly. This reinforces the conservative attitude that rural fathers have towards their daughters and the constraints that they apply on 21 Dar el Ghezlane, Episode 1 www. After a few moments, they arrive at the well where the women gather to fetch water. In this case, Karima plays on the masculine conservative mentality by using the taboo of virginity to her advantage. She wonders aloud and asks Rhimou whether it was a contraband or under warranty. Women in Moroccan Media

She wonders aloud and asks Rhimou whether it was a contraband or under warranty. As soon as she opened the letter she discovered what seemed to be a will but someone called her before she could read it. Enter the email address you signed up with and we’ll email you a reset link. Aicha in the Kitchen Episode 1, He then asks him if he is married or not, after Rachid says that he is still single Hajj Bahi asks him to pay them a visit at home to get to meet Karima who has grown up and became a woman. She then started gossiping in a low voice and sneering at the daughters telling the other woman that they only appear to be well-behaved whereas in fact they are reckless and immature.

The study consisted of an analysis of advertisements, daily and weekly newspapers in all the languages, the two main television channels and the radio stations. Remember me on this computer. She expressively declares that she is now speaking to the governor of the Dar el Ghezlan municipality and it is his duty to mmnana to what she has to say. One stereotype that is strongly reinforced in this scene is that of women being always curious in their quest to discover hidden things and unveil family secrets even though it has only been a day since the death of the owner of those objects, namely the father.

After a while, a woman enters the house wearing a black jellaba and starts sobbing and moaning about how they did not wait for her to see the dead man and bid him farewell before his burial.

Mounia quickly gets angry with him for talking about her sister that way. They are portrayed as showing mnaana face to people and talking bad about them in their back. She wonders aloud and asks Rhimou whether it was a contraband or under warranty. Moving on from to a more recent time, the political scene has witnessed many efforts as far as empowering the image of women in the media is concerned. Enter the email address you signed up with and we’ll email you a reset link.


Hajj Bahi and Mounia Episode 1, Once more, the woman is depicted as a disrespectful figure that does not shy away from sneaking into the kitchen in the middle of a funeral to steal food. Youssef llala Mounia Episode 1, Mnxna makes it clear that neither him, the belt nor the villagers can keep her quiet.

Hanae smilingly grabs the note and watches Anis leaving with admiring looks on her face.

Indeed, Rachid falls into the trap of this idealized housewife mnanw declares that he prefers rural women to Spanish ones just because they are good housewives and excellent cooks.

The first series is Bnat Lalla Mennana which was elected as a practical example of the traditional way in which women are depicted. She also opens a box in which he kept his Tasbih beads, favorite cassettes, smoking pipe and photo album.

Bnat Lalla Mennana épisodes 28 & 29 part – Vidéo dailymotion

Aicha in the Kitchen Episode 1, Gratuit oslashumlugraveoslashsectoslashordf ugraveoslashsectugraveoslashcopy ugraveugraveoslashsectugraveoslashcopy oslashsectugraveoslashshyugraveugraveoslashcopy 6 bnat lalla mnana mp3. Jul 22 acircmiddot bnat lalla menana ramadan 2m tv ep 09 oslashumlugraveoslashsectoslashordf ugraveoslashsectugraveoslashcopy ugraveugraveoslashsectugraveoslashcopy oslashsectugraveoslashshyugraveugraveoslashcopy duration The Hajj asks about the whereabouts of his two girls and the maid replies that Mounia is in her room while Karima is out.

She breaks a vase saying that she will never accept it and walks into her room. This gives the impression that women are living under emotional oppression and consequently are in a sense waiting for the moment in which they would be liberated to experience their romantic escapades freely which is an inaccurate representation of the women because they do not all live under the same circumstances.

Karima and the Women of the Village Protesting Episode 1, Karima argues that she does not want to eradicate men; she simply wants to make them understand that without women they would be 25 Dar el Ghezlane, Episode 1 www.

2m: bnat lalla manana :ilham ouaziz-nora skali-saadia ladib-nadia el alami

Images of Women in Dar el Ghezlane 13 Conclusion Chama then entered the scene and ran to hug her grandmother and they sobbed together; Rhimou and Bahia soon joined them. Conclusion The aim of this paper was to investigate the representation of women in the Moroccan. They, then, resume their slogans and leave the ceremony.

In this scene we notice a hnat from the urban area to a rural one.


Not only is her competency as a doctor is overlooked, she is harassed at the work place by a colleague of her and the interesting thing is that she is shown as being impressed by that and even enjoying it. Aicha pretends that one of the guests complained of hunger and thirst and that she was just came to the kitchen to fetch a glass of water. She told Mennana that if she could not do it for her then at least she should have done it for convenience or for the sake of guests and reputation.

One of the women responds by saying that she should be neutral, if women are doing work at home then men are doing work outside to provide for the family. He asks Younes if that is doctor Hanae. Mounia soon realizes that her sister is merely being cynical.

The Representation of Women in Moroccan Television | Zak Boukhriss –

The theoretical part also tackled the situation of women in the national media and presented some studies that dealt with the mnan issue. The first part of this paper provided an overview of the audiovisual situation of Morocco through proposing some statistics about the viewership of the Moroccan channels to stress the sheer impact that television has on the Moroccan population and that it reaches an important percentage of homes.

Skip to main content. Anis quickly turns his back on them and apologizes claiming that he did not see anything. Khalfi, an amendment in the audio-visual law that will ensure fighting all forms of sexism and discrimination against women in the media.

Karima comes running and grabs a rock; she hits him in the head knocking him unconscious. The Hajj, an important mnans in his village, is portrayed as the typical rural man.

Again, Hajj Bahi uses the same techniques to persuade Rachid to marry Karima by praising her cooking abilities even though she did not prepare the tea at all.

It is the newest one of the two as it was only aired in By telling Youssef 28 Dar el Ghezlane, Episode 1 www. She is portrayed as a character that does not shy away from expressing her opinions and demanding her rights in the public sphere even in a knana where such a behavior is frowned upon.